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1. The author wishes to thank Stephen Chow for his time and providing information. 2. Lin Nien-Tung notes the characteristics of the martial arts hero in cinema:
Works cited Bhabha, Homi. The Location of Culture. New York: Routledge, 1994. City Entertainment. “Deconstructing the Pig Sty Alley” [“Zhu Long Cheng Zhai Da Jie Gou”] City Entertainment, vol. 670 (16-29 December, 2005): 34-5. Chow, Stephen. Personal Interview. 23 December 2005. de Certeau, Michel. Heterologies: Discourse on the Other. Trans. Brian Massumi. Minneapolis: University of Minnesota Press, 1986. —. The Writing of History. Trans. Tom Conley. New York: Columbia UP, 1988 Deleuze, Gilles and Felix Guattari. Anti-Oedipus: Capitalism and Schizophrenia. Minneapolis: U of Minnesota P, 2000. Dirlik, Arif. “Postmodernism and Chinese History.” boundary 2 vol. 28 no. 3 (2001) 19-60. Lai, Linda Chiu-Han. “Film and Enigmatization: Nostalgia, Nonsense, and Remembering.” At Full Speed: Hong Kong Cinema in A Borderless World. Ed. Esther Yau. Minneapolis: U of Minnesota P, 2001, 231-250. Lee, Bruce. Chinese Gung Fu: The Philosophical Art of Self Defense. 3rd edition. Santa Clarita: Ohara Publications, 1988 [1963]. Leung, P. K. “The Walled City in Kowloon: A Space We All Shared.” Trans. Janice Wickeri. Hong Kong Collage: Contemporary Stories and Writing. Ed. Martha Cheung. Hong Kong and New York: Oxford UP, 1998, 34-39. Lin, Nien-Tung. “The Martial Arts Hero.” A Study of the Hong Kong Swordplay Film. Hong Kong: Hong Kong Urban Council, 1981, 11-16. Lo, Kwai Cheung. Chinese Face/Off: The Transnational Popular Culture of Hong Kong. Urbana Champaign: U of Illinois P, 2005. Lu, Sheldon H., and Emilie Yueh-Yu Yeh, “Mapping the Field of Chinese-Language Cinema,” ed. Lu, Sheldon H., and Emilie Yueh-Yu Yeh. Chinese Language-Film: Historiography, Poetics, Politics. Honolulu: U of Hawaii P, 2005, 12. Kapur, Jyotsna. Coining for Capital: Movies, Marketing, and the Transformation of Childhood. New Brunswick: Rutgers UP, 2005. Rosenstone, Robert A. “The Future of the Past: Film and the Beginnings of Postmodern History.” The Persistence of History: Cinema, Television, and the Modern Event. Rd. Vivian Sobchack. New York and London: Routledge, 1996, 201–18. Wakeman, Frederic. Policing Shanghai, 1927-1937. Berkeley: U of California P, 1995. Zhang, Zhen. An Amorous History of the Silver Screen: Shanghai Cinema, 1896-1937. Chicago: U of Chicago P, 2005. To
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