JUMP CUT
A REVIEW OF CONTEMPORARY MEDIA

 

 

Notes

1. See, for example: Peter Biskind, "Lucía: Struggles with History," Jump Cut 2 (July-August 1974); John Mraz, "Lucía: History and Film in Revolutionary Cuba," Film & History 1 (February 1975); Anne Marie Taylor, "Lucía," Film Quarterly 23(3) (Winter-Spring 1975); Steven Kovacs, "Lucía: Style and Meaning in Revolutionary Film," Monthly Review 27:2 (June 1975). [return to page 1 of essay]

2. Jon Halliday, ed., Sirk on Sirk (New York, 1972), p. 40.

3. My studies in visual analysis have developed largely through working with Janey Place. See her article, "Some Visual Motifs of Film Noir," reprinted in Movies and Methods, ed. Bill Nichols (Berkeley, 1976). I am grateful to Julianne Burton, Janey Place, Lorraine Kahn, and David Sweet for their comments and criticism.


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