1. I want to thank Dr. Laura Marks at the School of Contemporary Arts at Simon Fraser University, for her help and her valuable insights while writing this paper. [return to page 1 of essay]
2. Reuters, September 13, 2001.
5. "Earth Presses Against Us" in Unfortunately it was Paradise, selected poems, trans. and ed. by Munir Akash and Carolyn Forche, University of California Press, 2003.
9. Deleuze explains this movement from the "agent" to the "seer" as that of the movement from organic descriptions where an object exists independent of the description and this object becomes a source of orientation. This is where the actor is an agent, but when the description stands in for the object, replaces it, here the actor or the character becomes a "seer."(1989, 126)
10. In the Actual and the Virtual, Deleuze uses the metaphor of a falling fruit to describe the emergence of the actual. [return to page 3 of essay]
11. Henri Bergson, Creative Evolution, quoted in Deleuze on Cinema, by Ronald Bogue, Routledge, 2003, p. 21.
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