JUMP CUT
A REVIEW OF CONTEMPORARY MEDIA

 

 

Works cited

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------- . Kappa: a Novel. Trans. Geoffrey Bownas. Intro. G. H. Healey. Rutland: C. E. Tuttle Co., 1971.

------- . Rashomon and Seventeen Other Stories. Trans. Jay Rubin. Intro. Haruki Murakami. London: Penguin, 2006.

Allison, Anne. Permitted and Prohibited Desires: Mothers, Comics, and Censorship in Japan. Boulder: Westview P, 1996.

Anchor Bay Entertainment. “Press Release: IDT Entertainment’s Anchor Bay Entertainment Announces Exclusive DVD Release of Takashi Miike’s Imprint from Masters of Horror.” Underland Online 16 Jan. 2006. 27 Jul. 2008.
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>.

------- . “Press Release: Anchor Bay Entertainment Proudly Presents The Masters of Horror Season One Box Set.” TV Shows on DVD.com 29 Jul. 2007. 27 Jun. 2008.
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Anderson, Jeffrey M. “Takashi Miike Saddles Up for English-Language Spaghetti Western.” Cinematical 20 Nov. 2006. 27 Jul. 2008.
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>.

Anderson, Joseph L., and Donald Richie. The Japanese Film: Art and Industry. Expanded Ed. Princeton: Princeton UP, 1982.

Apple, Alex. “Imprint: Review.” Snowblood Apple Apr. 2006. 27 Jul. 2008.
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Ashby, Janet. “New Akutagawa Winners Offer Hope.” Japan Times 4 Mar. 2004. 27 Jul. 2008.
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Bargen, Doris G. “Spirit Possession in the Context of Dramatic Expressions of Gender Conflict: The Aoi Episode of the Genji Monogatari.” Harvard Journal of Asiatic Studies 48.1 (1988): 95-130.

Bock, Audie. Japanese Film Directors. Tokyo; New York: Kodansha International, 1978.

Boyd, David. “Rashomon: From Akutagawa to Kurosawa.” Literature/Film Quarterly 15.3 (1987): 155-58.

Brasor, Philip. “Notes on Yasukuni and a Week that will Live in Infamy.” Japan Times 20 Aug. 2006. 27 Jul. 2008.
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Braun, Kyle. “Interview: Mick Garris: Director of Valerie on the Stairs.” Underground Online [Undated]. 27 Jul. 2008.
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>.

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------- . “Japan Film’s Throne of Blood.” BBC News 25 Feb. 2004. 27 Jul. 2008.
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>.

------- . “Chinese Woman’s ‘Needle Ordeal.’” BBC News 7 Sep. 2007. 27 Jul. 2008.
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Brown, Don. “Report: Japan Premiere of Miike Takashi’s Big Bang Love, Juvenile A.” Ryuganji: Japan Film News 22 May 2006. 27 Jul. 2008.
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>.

------- . “New Miike.” Ryuganji: Japan Film News 24 Oct 2006. 27 Jul. 2008.
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>.

Buckalew, Brett. “Gozu’s Wacky Auteur.” FilmStew.com 18 Aug. 2004. 27 Jul. 2008.
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>.

Buckley, Sandra. “‘Penguin in Bondage:’ A Graphic Tale of Japanese Comic Books.” Technoculture. Ed. Constance Penley and Andrew Ross.Minneapolis: U of Minnesota P, 1991. 163-95.

Bullock, Saxon. “Imprint: Review.” Channel 4 [Undated]. 27 Jul. 2008.
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>.

Burns, Catherine. Sexual Violence and the Law in Japan. London, New York: Routledge, Curzon, 2005.

Buruma, Ian. A Japanese Mirror: Heroes and Villains of Japanese Culture. London: Jonathan Cape, 1984.

Byrnes, Paul. “Film Review: Death Proof.” Sydney Morning Herald 3 Dec. 2007. 27 Jul. 2008.
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>.

Chan, Royston. “Chinese Woman Breaks Silence on Sex Slavery Horror.” Reuters 25 June 2007. 27 Jul. 2008.
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idUSPEK22832220070625?feedType=RSS&sp=true
>.

Chang, Iris. The Rape of Nanking: The Forgotten Holocaust of World War II. London: Penguin Books, 1999.

China News Digest. “Nanjing Massacre: 300,000 Chinese People Killed, 20,000 Women Raped.” China News Digest 1994 — 2001. 27 Jul. 2008.
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Cho, Ben. “When Hou Met Kuriyami: The Hong Kong International Film Festival Turns 30.” Senses of Cinema May 2006. 27 Jul. 2008.
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festivals/06/40/hkiff-2006-ben-cho.html
>.

Chute, David, Travis Crawford, Olaf Möller and Chuck Stephens. “12 Contenders.” Film Comment 38.1 (2002): 37-46.

Connell, Ryann. “Rising Up in Protest over the Long and Short of Penis Size.” Mainichi Daily News 20. Dec. 2006. 27 Jul. 2008.
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>.

Corliss, Richard. “Akira Kurosawa: A Master Filmmaker with an Eye for Darkness and Complexity.” Time Magazine 5 Nov. 2006. 27 Jul. 2008.
<http://www.time.com/time/asia/
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>.

Courtney, Bill. “Movie Review: Takashi Miike’s Imprint.” The Uranium Café 30 Dec. 2006. 27 Jul. 2008.
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>.

Creed, Barbara. The Monstrous-Feminine: Film, Feminism, Psychoanalysis. London and New York: Routledge, 1993.

Davies, Arthur. “Columbus Divides the World.” Geographical Journal 113.3 (1967): 337-44.

Day, Kitty. “Totally Lost in Translation.” Guardian 24 Jan. 2004. 27 Jul. 2008.
<http://www.guardian.co.uk/comment/
story/0,,1130137,00.html
>.

D [Desjardins], Chris. Outlaw Masters of Japanese Films. New York; London: L. B. Tauris, 2005.

Desser, David. The Samurai Films of Akira Kurosawa. Ann Arbor: UMI Research P, 1983.

------- . Eros Plus Massacre: an Introduction to the Japanese New Wave Cinema. Bloomington: Indiana UP, 1988.

Dew, Oliver. “‘Asia Extreme’: Japanese Cinema and British Hype.” New Cinemas: Journal of Contemporary Film 5.1 (2007): 53-73.

Ehrlich, Linda C. “The Extremes of Innocence: Kurosawa’s Dreams and Rhapsodies.” In Hibakusha Cinema. Ed. Mick Broderick. New York, London: Kegan-Paul, 1996: 160-77.

Erickson, Steve. “Casting about Takashi Miike’s Corrosive Audition.” The Phoenix.com 29 Nov. — 6 Dec. 2001. 27 Jul. 2008.
<http://bostonphoenix.com/boston/
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>.

------- . “Anything But Banal: Takashi Miike on Gozu and His Ups and Downs.” indieWire 29 Jul. 2004. 27 Jul. 2008.
<http://www.indiewire.com/article/anything
_but_banal_takashi_miike_on_gozu_and_his_ups_and_downs/
>.

Faraci, Devin. “DVD Review: Masters of Horror: Imprint.” Chud.com 7 Oct. 2006. 27 Jul. 2008.
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REVIEW-MASTERS-OF-HORROR---IMPRINT/Page1.html
>.

Frazer, Bryan. “Imprint (2006).” Deep-Focus.com 2 Oct. 2006. 27 Jul. 2008.
<http://www.deep-focus.com/dfweblog/2006/10/imprint_2006.html>.

Foucault, Michael. “What is an Author?” (1970). In Textual Strategies: Perspectives in Post-Structuralist Criticism. Ed. Josué V. Harari. Ithaca, New York: Cornell UP: 141-60.

Grossman, Andrew. “Gohatto — or the End of Oshima Nagisa?” Bright Lights Film Journal 33 (July 2001). 27 Jun. 2008.
 <http://www.brightlightsfilm.com/33/gohatto1.html>.

Hand, Richard J. “Aesthetics of Cruelty: Traditional Japanese Theatre and the Horror Film.” In McRoy, Japanese Horror Cinema 18-28.

Hantke, Steffen. “Japanese Horror under Western Eyes: Social Class and Global Culture in Miike Takashi’s Audition.” In McRoy, Japanese Horror Cinema 54-65. 

Harden, Blaine. “Japan Warns US House Against Resolution on WWII Sex Slaves.” Washington Post 18 Jul. 2007. 27 Jul. 2008.
<http://www.washingtonpost.com/wp-dyn/content
/article/2007/07/17/AR2007071701802.html
>.

Harritz, Pia D. “Consuming the Female Body: Pinku Eiga and the Case of Sagawa Issei.” In Medias Res 2 (2005). 27 Jul. 2008.
 <http://www.medievidenskab-odense.dk/index.php?id=57>.

Hendrix, Grady. “Imprint Review.” Kaiju Shakedown 8 Apr. 2006. 10 Jan. 2008.

Hibbett, Howard S. “Ryunosuke Akutagawa and the Negative Ideal.” In Personality in Japanese History. Ed. Albert M. Craig and Donald H. Shively. Berkeley: U of California P, 1970: 425-51.

Higashinakano, Shudo. The Nanking Massacre: Fact Versus Fiction: A Historian’s Quest for the Truth. Trans. Sekai Shuppan. Tokyo: Sekai Shuppan, 2005.

Hogg, Chris. “Japan Racism ‘Deep and Profound.’” BBC News 11 Jul. 2005. 27 Jul. 2008.
<http://news.bbc.co.uk/2/hi/asia-pacific/4671687.stm>.

Honda, Katsuichi. The Nanjing Massacre: a Japanese Journalist Confronts Japan’s National Shame. Ed. Frank Gibney. Trans. Karen Sandness. Armonk, New York: M. E. Sharpe, 1999.

Hongo, Jun. “What Massacre? LDP, DPJ Ranks Hear Nanjing Denial Lecture.” Japan Times 7. Mar. 2007. 27 Jul. 2008.
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Horror Watch. “What Happened to Takashi Miike? (Masters of Horror).” HorrorWatch.com. 17 Jan. 2006 — 21 Jul. 2006. 27 Jul. 2008.
<http://www.horrorwatch.com/modules/newbb/
viewtopic.php?topic_id=2856&forum=14&post_id=30239
>.

Hunter, Jack. Eros in Hell: Sex, Blood and Madness in Japanese Cinema. London, San Francisco: Creation Books, 1998.

Hutchinson, Rachael. “Orientalism or Occidentalism? Dynamics of Appropriation in Akira Kurosawa.” In Remapping World Cinema: Identity, Culture and Politics in Film. Ed. Stephanie Dennison and Song Hwee Lim. London: Wall Flower P, 2006. 173-87.

“Imprint” Official Homepage [Japanese]. 2005. Eiga.com. 2007. 27 Jul. 2008.
<http://www.eiga.com/official/imprint/introduction/index.html>.

“Imprinting.” Masters of Horror: Imprint. 2005. DVD Featurette. Dir. Hidetoshi Oneda. IDT Entertainment, 2006.

“I am the Film Director of Love and Freedom: Takashi Miike.” 2005. Masters of Horror: Imprint. 2005. DVD Featurette. Dir. Hidetoshi Oneda. IDT Entertainment, 2006.

“Imprint.” Wikipedia, the Free Encyclopedia. 13 Jul. 2008. 27 Jul. 2008.
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%28Masters_of_Horror_episode%29
>.

Iwai, Shimako. Bokkee, Kyotee. Tokyo: Kadokawa Shoten, 1999.

------- . Homepage. 2006 — 2007. 27 Jul. 2008.
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Jacobs, Evan. “Interview: Mick Garris Tells You Everything You Need to Know about Masters of Horror Season 2.” Movie Web 27 Oct. 2006. 27 Jul. 2008.
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Jancovich, Mark, ed. Horror: The Film Reader. London and New York: Routledge, 2002.

Japan, Captain. “Manga Artist Interview Series (Part I): Toshio Maeda.” The Big Empire: Sake-Drenched Postcards 9 Dec. 2002. 27 Jul. 2008.
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Japan Today. “Japanese Marriages Falling Victim to ‘Yongfluenza’.” Japan Today 17 Jul. 2004. 27 Jul. 2008.
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lofiversion/index.php/t50920.html
>.

Jones, Josh. “The Emperor and the Gangster.” PopMatters 22 Sep. 2003. 27 Jul. 2008.
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>.

Jordan, Randolph. “Suicide is for the Birds: Takashi Miike’s Tales of De-territorializing Flight at Fantasia 2003 and Beyond.” Off Screen 31 Oct. 2003. 27 Jul. 2008.
<http://www.horschamp.qc.ca/
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>.

Jsyn. “First Look: Takashi Miike’s Imprint.” May 2006. 27 Jul. 2008.
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Kamir, Orit. “Judgment by Film: Socio-Legal Functions of Rashomon.” Yale Journal of Law and the Humanities 12.1 (2000): 39-88.

------- . Framed: Women in Law and Film. Durham: Duke UP, 2006.

Kamiya, Setsuko. “Kin of War Dead Protest Yasukuni Visits.” Japan Times 16 Aug. 2007. 27 Jul. 2008.
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Kawai, Hayao. “Violence in the Home: Conflict between Two Principles — Maternal and Paternal.” In Japanese Culture and Behavior: Selected Readings. Ed. Akie Sugiyama Lebra and William P. Lebra. Rev. ed. Honolulu: U of Hawaii P, 1986. 297-306.

Keene, Donald. Dawn to the West: Japanese Literature of the Modern Era. New York: Holt, Rinehart, and Winston, 1984.

------- . Seeds in the Heart: Japanese Literature from Earliest Times to the Late Sixteenth Century. New York: Henry Holt, 1993.

Kehr, Dave. “Horror Film Made for Showtime will not be Shown.” New York Times 19 Jan. 2006. 27 Jul. 2008.
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>.

Kikuzawa, Saeko. “Family Composition and Sex-Differential Mortality Among Children in Early Modern Japan: Evidence from Yokouchi, 1671-1871.” Social Science History 23.1 (1999): 99-127.

Kimiya, Setsuko. “Kin of War Dead Protest Yasukuni Visits.” Japan Times 16 Aug. 2007. 27 Jul. 2008.
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>.

Kinsella, Sharon. Adult Manga: Culture and Power in Contemporary Japanese Society. London: Curzon P, 2000.

Ko, Mika. “The Break-up of the National Body: Cosmetic Multiculturalism and the Films of Miike Takashi.” In Theorising National Cinema. Ed. Valentina Vitali and Paul Willemen.London: British Film Institute, 2006. 129-37.

Kurosawa, Akira. Something Like an Autobiography. Trans. Audie E. Bock. New York: Alfred A. Knopf, 1982.

Kutner, C. Jerry. ‘Miike’s Imprint.” Bright Lights after Dark. 4 Oct. 2006. 27 Jul. 2008.
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>.

Lee, Marc. “Filmmakers on Film: George Lucas.” Telegraph 14 May 2005. 27 Jul. 2008.
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>.

Lehman, Peter. Running Scared: Masculinity and the Representation of the Male Body. Philadelphia: Temple UP, 1993.

Leupp, Gary P. Interracial Intimacy in Japan: Western Men and Japanese Women, 1543-1900. London, New York: Continuum, 2003.

Major, Wade. “Interview with Miike.” Gozu. 2003. Dir. Takashi Miike. DVD Special Feature. Pathfinder Pictures, 2004.

Masters of Horror. Official Website. 2008. 4 Apr. 2009. <www.mastersofhorror.net/>.

McAsey, Brian. “Kurosawa, the Emperor of Cinema.” BeatRoute Magazine November 2006. 27 Jul. 2008.
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>.

McRoy, Jay, ed. Japanese Horror Cinema. Honolulu: U of Hawai’i P, 2005.

------- . Nightmare Japan: Contemporary Japanese Horror Cinema. Amsterdam, New York: Rodopi, 2008.

Medine, David. “Law and Kurosawa’s Rashomon.” Literature/Film Quarterly 20.1 (1992): 55-60.

Mellen, Joan. The Waves at Genji’s Door: Japan through Its Cinema. New York: Pantheon Books, 1976.

------- . In the Realm of the Senses. London: British Film Institute, 2004.

Mes, Tom. Agitator: The Cinema of Takashi Miike. Rev. Ed. Surrey: FAB P, 2006.

------- . “Gozu; or How the Ghost of Lynch went to Buddhist Hell.” Gozu. 2003. Dir Takashi Miike. DVD Special Feature. Pathfinder Pictures, 2004.

------- , and Kuriko Sato. “Interview: Takashi Miike.” Midnight Eye 1 May 2001. 27 Jul. 2008.
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>.

------- , and Jovanka Vuckovic. “Miike’s Torture Theatre Unveiled.” Rue Morgue 59 (August 2006): 16-20.

Miike, Takashi. “Interview.” Audition. 1999. Dir. Takashi Miike. DVD Special Feature. Siren Visual Entertainment, 2002.

------- . “Takashi Miike Interview 1.” Shinjuku Triad Society. 1994. Black Society Trilogy. Dir. Takashi Miike. Special Edition DVD. Artsmagic, 2004. 

Mulvey, Laura. “Visual Pleasure and Narrative Cinema” (1975). In Visual and Other Pleasures. Bloomington and Indianapolis: Indiana UP, 1989: 14-26. 

Napier, Susan J. The Fantastic in Modern Japanese Literature: The Subversion of Modernity. London and New York: Routledge, 1996.

------- . Anime from Akira to Princess Mononoke: Experiencing Contemporary Japanese Animation.New York: Palgrave, 2001.

------- .“The Frenzy of Metamorphosis: the Body in Japanese Pornographic Animation.” In Word and Image in Japanese Cinema. Ed. Dennis Washburn and Carole Cavanaugh. Cambridge: Cambridge UP, 2001. 342-65.

Nelson, John. “Social Memory as Ritual Practice: Commemorating Sprits of the Military Dead at Yasukuni Shinto Shrine.” Journal of Asian Studies 62.2 (2003): 443-67.

Newitz, Annalee. “Magical Girls and Atomic Bomb Sperm: Japanese Animation in America.” Film Quarterly 49.1 (1995): 2-15.

Norgren, Christiana A. E. Abortion before Birth Control: the Politics of Reproduction in Postwar Japan. Princeton: Princeton UP, 2001.

Norrie, Justin. “Behind Closed Doors, the Violence Continues.” Sydney Morning Herald 22 Mar. 2008. 27 Jul. 2008.
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>.

Nygren, Scott. Time Frames: Japanese Cinema and the Unfolding of History. Minneapolis: U of Minnesota P, 2007.

Oba, Minako. “Without Beginning, Without End.” In The Woman’s Hand: Gender and Theory in Japanese Women’s Writing. Ed. Paul Gordon Schalow and Janet A. Walker. Trans. Paul Gordon Schalow. Stanford: Stanford UP, 1996. 19-40.

O’Connor, Patrick J. “Recommended: Ryunosuke Akutagawa.” English Journal 75.7 (1986): 79-80.

Onishi, Norimitsu. “Japan Again Denies Role in Sex Slavery.” New York Times 26 Mar. 2007. 27. Jul. 2008.
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>.

------- . “Recognition for a People Who Faded as Japan Grew.” New York Times 3 Jul. 2008. 27 Jul. 2008.
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>.

Otto, Jeff. “Interview: Takashi Miike.” IGN.com 22 Jul. 2004. 27 Jul. 2008.
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Park, Sun-Yi. “Leaving a Mark: Takashi Miike’s Imprint.” Twitch 13 Mar. 2007. 27 Jul. 2008.
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Pinedo, Isabel Cristina. Recreational Terror: Women and the Pleasures of Horror Film Viewing. Albany, New York: State U of New York P, 1997.

Pointon, Susan. “Transcultural Orgasm as Apocalypse: Urotsukidoji: The Legend of the Overfiend.” Wide Angle 19:3 (1997): 41-63.

Prasso, Sheridan. The Asian Mystique: Dragon Ladies, Geisha Girls, and Our Fantasies of the Exotic Orient. New York: Public Affairs, 2005.

Prince, Stephen. A Warrior’s Camera: The Cinema of Akira Kurosawa. Rev and Expanded Ed. Princeton: Princeton UP, 1999.

Rayns, Tony. “From Tokyo, Without Love.” The Independent 18 Mar. 2001. 27 Jul. 2008.
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>.

Rees, Gavin. “Getting Busy with Takashi Miike.” Guardian Unlimited 17 Mar. 2001. 27 Jul. 2008.
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>.

Rees, Laurence. Horror in the East: Japan and the Atrocities of World War II. Cambridge: Da Capo P, 2002.

Richie, Donald, ed. Rashomon. New Brunswick: Rutgers UP, 1987.

------- . A Hundred Years of Japanese Film: a Concise History, with a Selective Guide to DVDs and Videos. Rev. Ed. Tokyo; New York: Kodansha International, 2005.

------- , and Joan Mellen. The Films of Akira Kurosawa. 3rd ed. Berkeley: U of California P, 1998.

Robbins, Edward. “Imprint (2006, dir Takashi Miike).” Solarmanite Sketches 23 Nov. 2006 27 Jul. 2008.
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>.

Rose, Steve. “Blood Isn’t That Scary.” Guardian 2 June 2003. 27 Jul. 2008.
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>.

Rucka, Nicholas. “The Death of J-Horror?” Midnight Eye 22 Dec. 2005. 27 Jul. 2008.
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>.

------- . “Review: Imprint.” Midnight Eye 13 Sep. 2006. 27 Jul. 2008.
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Sanjuro. “Review: Imprint.” Love HK Film.com 2006. 27 Jul. 2008.
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Sarra, Edith. Fictions of Femininity: Literary Inventions of Gender in Japanese Court Women Memoirs. Stanford: Stanford UP, 1999.

Schilling, Mark. “Takashi Miike Makes His Mark.” Japan Times 23 Jun. 2006. 27 Jul. 2008.
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------- . “Dial J for Horror.” Japan Times 23 Jun. 2006. 27 Jul. 2008.
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Schreiber, Mark. “Keeping a Watch out for Oedipal Wrecks.” Japan Times 23 Jul. 2006. 27 Jul. 2008.

------- . “Girls Employ Secret Lingo to Fool the Guys.” Japan Times 20 Jan. 2008. 27 Jul. 2008.

Shikibu, Murasaki. The Tale of Genji. Trans. Edward G. Seidensticker. Harmondsworth: Penguin, 1981.

Shirane, Haruo. The Bridge of Dreams: A Poetics of the Tale of Genji. Stanford: Stanford UP, 1987.

------- , ed. Early Modern Japanese Literature: An Anthology 1600-1900. New York: Columbia UP, 2002.

Shonagon, Sei. The Pillow Book of Sei Shonagon. Trans. Ivan Morris. New York: Columbia UP, 1991.

Slaymaker, Douglas. The Body in Postwar Japanese Fiction. New York: Routledge, Curzon, 2004.

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Steinglass, Matt. “New History, Old Wounds.” Boston Globe 18 Feb. 2007. 27 Jul. 2008.
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>.

Tabuchi, Hiroko. “Japan’s Abe: No Proof of WWII Sex Slaves.” Washington Post 1 Mar. 2007. 27 Jul. 2008.
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Takemoto, Tadao, and Yasuo Ohara. The Alleged “Nanking Massacre:” Japan’s Rebuttal to China’s Forged Claims. Tokyo: Meiseisha, 2000.

Tanaka, Toshiyuki. Hidden Horrors: Japanese War Crimes in World War II. Boulder, Colo.: Westview P, 1996.

------- . Japan's Comfort Women: Sexual Slavery and Prostitution during World War II and the U.S. Occupation. New York: Routledge, 2002.

Tengan, Daisuke. “Imprint — Based on the Novel Bokkee Kyoutee by Shimako Iwai.” Dialogue Polish by Mick Garris. 19 Sep. 2005. Masters of Horror: Imprint. DVD Special Feature. Anchor Bay, 2006.

Tsuruta, Kinya. “‘The Hell Screen,’ ‘In a Grove,’ ‘Kappa.’” In Approaches to the Modern Japanese Short Story. Ed. Thomas E. Swann and Kinya Tsuruta. Tokyo: Waseda UP, 1982. 11-43.

Turim, Maureen. The Films of Oshima Nagisa: Images of a Japanese Iconoclast. Berkeley: U of California P, 1998.

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