JUMP CUT
A REVIEW OF CONTEMPORARY MEDIA

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Django Unchained: thirteen ways of looking at a black film

 

Gilbert B. Rodman

Gilbert B. Rodman is Associate Professor of Communication Studies at the University of Minnesota.  His research and teaching focus on cultural studies, critical media studies, popular culture, media technologies, intellectual property, and the politics of race and ethnicity.  He is the author of Why Cultural Studies? (Wiley Blackwell, 2015) and Elvis After Elvis (Routledge, 1996), the editor of The Race and Media Reader (Routledge, 2014), and one of the co-editors of Race in Cyberspace (Routledge, 2000).  You can find him online at http://www.gilrodman.com