JUMP CUT
A REVIEW OF CONTEMPORARY MEDIA

Notes

1. Daniel Jakopovich. “Yugoslavia’s Self-Management,” The Spokesman, no. 117, 2010: 57-63. [return to text]

2. Ibid.

3. John R. Lampe. Yugoslavia as history: Twice there was a country (Cambridge: Cambridge University Press, 1996), p. 272. 

4. Ibid., p. 279.

5. Ibid., p. 261.

6. Ibid., p. 283.

7. Ibid., p. 311.

8. Ibid.

9. Groys 1997, p. 78.

10. De Cuir 2013. See also the special issue of the Slovenian journal Kino! on Partisan film (2010) and the new anthology Partisans in Yugoslavia: Literature, Film and Visual Culture edited by Miranda Jakiša and Nikica Gilić (Bielefeld: transcript Verlag, 2015).

11. Bill Nichols. Blurred boundaries: Questions of meaning in contemporary culture (1994), p. 111.

12. Karl Marx. “Economic and Philosophic Manuscripts of 1844’ in The Marx-Engels reader, second edition edited by Robert C. Tucker (New York-London: W.W. Norton & Company, 1978), p. 72.

13. Ibid., p. 73.

14. Michel Foucault. Discipline and punish: The birth of the prison (New York: Vintage Books, 1995 [orig. in 1975]), p. 138.

15. Ibid., p. 143.

16. Karl Marx. “Economic and Philosophic Manuscripts of 1844’ in The Marx-Engels reader, second edition edited by Robert C. Tucker (New York-London: W.W. Norton & Company, 1978), p. 116.

17. Paul Stoller. Sensuous scholarship (Philadelphia: University of Pennsylvania Press, 1997), p. xiv.

18. We can recall Godard’s famous statement that Jean Rouch’s job description as an anthropologist is maybe also the best definition of a filmmaker.

19. Greg de Cuir, Jr. Yugoslav black wave: Polemical cinema from 1963-72 in the Socialist Federal Republic of Yugoslavia (Belgrade: Film Center Serbia, 2011).

20. Paul Stoller. Sensuous scholarship (Philadelphia: University of Pennsylvania Press, 1997), p. xv.

21. Ibid., p. xvi.

22. Ibid., p. xvii.

23. Paul Stoller. “Artaud, Rouch, and the Cinema of Cruelty’ in Visual Anthropology Review, Vol. 8, No. 2, Fall 1992: 50-57.

24. Jane M. Gaines. “Political Mimesis’ in Collecting visible evidence edited by Jane M. Gaines and Michael Renov (Minneapolis: University of Minnesota Press, 1999), p. 90.

25. Ibid.

26. Ibid.

27. Enzensberger 1970.

28. Ibid.

29. Ibid.

30. Some of the socio-critical films he began making in West Germany were censored, eventually turning him into persona non grata there. Likewise, within a few years he was forced to return to his home country.

References

De Cuir, Jr, Greg. Yugoslav black wave: Polemical cinema from 1963-72 in the Socialist Federal Republic of Yugoslavia. Belgrade: Film Center Serbia, 2011.

_____. “Partisan “realism”: Representations of wartime past and state-building future in the cinema of Socialist Yugoslavia,” Frames Cinema Journal, no. 4, December 2013: http://framescinemajournal.com/article/1421/.

Enzensberger, Hans Magnus. “Constituents of a Theory of the Media,” New Left Review, no. 64, November-December 1970: 13-36.

Foucault, Michel. Discipline and punish: The birth of the prison. New York: Vintage Books, 1995 (orig. in 1975).

Gaines, Jane M. “Political Mimesis’ in Collecting visible evidence, edited by Jane M. Gaines and Michael Renov. Minneapolis: University of Minnesota Press, 1999.

Gorky, Maxim. Soviet writers’ congress 1934. London: Lawrence and Wishart, 1977.

Groys, Boris. “A Style and a Half: Socialist Realism between Modernism and Postmodernism’ in Socialist realism without shores, edited by Thomas Lahusen and Evgeny Dobrenko. Durham: Duke University Press, 1997: 76-90.

Jakiša, Miranda and Gilić, Nikica (eds). Partisans in Yugoslavia: Literature, film and visual culture. Bielefeld: transcript Verlag, 2015.

Jakopovich, Daniel. “Yugoslavia’s Self-Management,” The Spokesman, no. 117, 2010: 57-63.

Lampe, John R. Yugoslavia as history: Twice there was a country. Cambridge: Cambridge University Press, 1996.

Marx, Karl. “Economic and Philosophic Manuscripts of 1844’ in The Marx-Engels reader, second edition, edited by Robert C. Tucker. New York-London: W.W. Norton & Company, 1978. [give also original publication date for any publication coming out years earlier)

Nichols, Bill. Blurred boundaries: Questions of meaning in contemporary culture. 1994.

Stoller, Paul. “Artaud, Rouch, and the Cinema of Cruelty’ in Visual Anthropology Review, Vol. 8, No. 2, Fall 1992: 50-57

_____. Sensuous scholarship. Philadelphia: University of Pennsylvania Press, 1997.