JUMP CUT
A REVIEW OF CONTEMPORARY MEDIA

Notes

1. Michael Warner, “Queer and Then?,” The Chronicle Review (January 1, 2012): http://chronicle.com/article/QueerThen-/130161/. [return to text]

2. Early texts in queer studies include: Teresa de Lauretis, “Queer Theory: Gay and Lesbian Sexualities, An Introduction,” differences: A Journal of Feminist Cultural Studies 3.2 (1991); Judith Butler, Gender Trouble: Feminism and the Subversion of Identity (New York and London: Routledge, 1990); Judith Butler, Bodies That Matter: On The Discursive Limits of “Sex” (New York and London: Routledge, 1993); Eve Kosofsky Sedgwick, Epistemologies of the Closet (Berkeley and Los Angeles: University of California Press, 1990); and Eve Kosofsky Sedgwick, Tendencies (Durham and London: Duke University Press, 1993). Michael Warner’s The Trouble With Normal (Cambridge: Harvard University Press, 1999) perhaps took on homonormativity most forcefully.

3. For example, see Judith Halberstam, Female Masculinity (Durham and London: Duke University Press, 1998); Carolyn Dinshaw, Getting Medieval: Sexualities and Communities, Pre- and Postmodern (Durham and London: Duke University Press, 1999); and David M Halperin, How to do the History of Homosexuality (Chicago and London: The University of Chicago Press, 2002).

4. See Judith Butler, Gender Trouble: Feminism and the Subversion of Identity (New York: Routledge, 1990) and Eve Kosofsky Sedgwick, Epistemologies of the Closet (Berkeley and Los Angeles: University of California Press, 1990).

5. Alexander Doty, Making Things Perfectly Queer (Minneapolis and London: University of Minnesota Press, 1993), Patricia White, unInvited: Classical Hollywood Cinema and Lesbian Representability (Bloomington and Indianapolis: Indiana University Press, 199), and essays by Richard Dyer, Judith Maybe, and D.A. Millier published in Diana Fuss, ed., Inside/Out: Lesbian Theories, Gay Theories (New York and London: Routledge, 1991).

6. B. Ruby Rich, “New Queer Cinema: Director’s Cut,” New Queer Cinema: The Director’s Cut (Durham and London: Duke University Press), 25.

7. B. Ruby Rich, “New Queer Cinema,” 21.

8. B. Ruby Rich, New Queer Cinema: The Director’s Cut.

9. Greg Youmans, Word Is Out: A Queer Film Classic (Vancouver: Arsenal Pulp Press, 2011), 21.

10. Youmans, Word Is Out: A Queer Film Classic, 81.

11. Youmans, Word Is Out: A Queer Film Classic, 140.

12. Rob Epstein, “Word Is Out: Stories of working together,” Jump Cut 24-25 (March 1981), 9-10.

13. Audre Lorde with Veronica Selver, quoted by Youmans in Word Is Out: A Queer Film Classic, 148.

14. Youmans, Word Is Out: A Queer Film Classic, 148.

15. Youmans, Word Is Out: A Queer Film Classic, 115.

16. Mathews quoted by Youmans in Word Is Out: A Queer Film Classic, 116.

17. Youmans, Word Is Out: A Queer Film Classic, 122.

18. Thomas Waugh, “Films by gays, for gays,” Jump Cut 16 (1977): 14-18.

19. Youmans, Word Is Out: A Queer Film Classic, 27.

20. Tom Waugh and Jason Garrison, Montreal Main: A Queer Film Classic (Vancouver: Arsenal Pulp Press, 2010), 136. [return to p. 2]

21. Waugh and Garrison, Montreal Main: A Queer Film Classic, 64.

22. Waugh and Garrison, Montreal Main: A Queer Film Classic, 55.

23. Waugh and Garrison, Montreal Main: A Queer Film Classic, 71.

24. Waugh and Garrison, Montreal Main: A Queer Film Classic, 147.

25. Waugh and Garrison, Montreal Main: A Queer Film Classic, 147.

26. Waugh and Garrison, Montreal Main: A Queer Film Classic, 151.

27. Waugh and Garrison, Montreal Main: A Queer Film Classic, 176.

28. Chris Bearchell, “A Canadian Fairy Tale: Chris Chearchell Talks to Patricia Rozema about Taking Her First Picture to Cannes,” Epicene (October 1987): 24-26; and Teresa de Lauretis, “Guerrilla in the Midst: Women’s Cinema in the 80s,” Screen 31 (1990): 6-25.

29. Julia Mendenhall, I’ve Heard the Mermaids Singing: A Queer Film Classic (Vancouver: Arsenal Pulp Press, 2014), 85.

30. Judith Butler, “Critically Queer,” GLQ: A Journal of Lesbian & Gay Studies 1 (1993), 19.