JUMP CUT
A REVIEW OF CONTEMPORARY MEDIA

Articles in JUMP CUT

“Audio Documentary: A Polemical Introduction for the Visual Studies Crowd,” Jump Cut no. 48 (Feb 2006). <http://www.ejumpcut.org/
currentissue/AudioDoc/kleinhans.html>

With Julia Lesage, “The Woodsman: Full Disclosure,”  Jump Cut no.48 (Feb 2006) <http://www.ejumpcut.org/
currentissue/FullDisclosure/kleinhans.html>

with Terri Ginsberg and Dennis Broe, “Bibliography on Class in Film and Media Studies,”  Jump Cut no. 47 (Jan. 2005) <http://www.ejumpcut.org/archive/
jc47.2005/classbiblio/kleinhans.html>

“Siempre Selena!”  Jump Cut no. 42 (Nov, 1998) pp. 28-31, 121
<http://www.ejumpcut.org/archive/
onlinessays/JC42folder/Selena.html>

“Teaching Sexual Images: Some Pragmatics,” Jump Cut no. 40 (March, 1996), pp. 119-122
<http://www.ejumpcut.org/archive/
onlinessays/JC40folder/TeachPornPragmatics.html>

with John Hess, “U.S. Film Periodicals,”  Jump Cut no. 38 (June 1993), pp 105-122.
<http://www.ejumpcut.org/archive/
onlinessays/JC38folder/USfilmMags.html>

“Teaching the ‘Other,’ Being White, Male, and Middle Class,” Jump Cut no 38 (June 1993), pp 127-130.
<http://www.ejumpcut.org/archive/
onlinessays/JC38folder/teachingOther.html>

"Mainstreams and Margins: Ethnic Notions and Tongues Untied," Jump Cut no. 36 (June 1991), pp. 108-118, 31.
<http://www.ejumpcut.org/archive/
onlinessays/JC36folder/EthnicNotions-TUntied.html>

with Manji Pendakur, "Learning Together:  Team Teaching a Course on Third World Film from a Shared Marxist Perspective, Jump Cut no. 33 (March 88), pp. 82-90.
<http://www.ejumpcut.org/archive/
onlinessays/JC33folder/MxtFilmStudy.html>

with D. Scott Brewer, "The Montage Sequence in LADY BE GOOD," Jump Cut no. 31 (spring 1986), pp. 24-27.
<http://www.ejumpcut.org/archive/
onlinessays/JC31folder/brewerLBG/SuccessLBG.html>

"Ideological Implications of the Montage Sequence," Jump Cut no. 31 (spring 1986), p 27
<http://www.ejumpcut.org/archive/
onlinessays/JC31folder/IdeologyLGB.html>

with Julia Lesage, "The Politics of Sexual Representation," Jump Cut no. 30 (spring, 1985), pp. 24-26.
<http://www.ejumpcut.org/archive/
onlinessays/JC30folder/PoliticsSexRep.html>

with John Hess, "Reds on REDS," Jump Cut no. 28 (spring 1983), pp. 6-10.
<http://www.ejumpcut.org/archive/
onlinessays/JC28folder/Reds.html>

"SHAMPOO:  Oedipal Symmetries and Heterosexual Knots," Jump Cut no. 26 (winter 1981-82).  pp. 12-18.
<http://www.ejumpcut.org/archive/
onlinessays/JC26folder/Shampoo.html>

"GREASER'S PALACE:  Subverting the Western," Jump Cut no. 8 (Aug.-Sept. 1975), pp. 11-14.
<http://www.ejumpcut.org/archive/
onlinessays/JC08folder/GreasersPalace.html>

"Reading and Thinking about the Avant-garde," Jump Cut no. 6 (Mar.-Apr. 1975), pp. 21-25.
<http://www.ejumpcut.org/archive/
onlinessays/JC06folder/AvantGdeReading.html>

"From Tear-jerkers to Thought-provokers:  Types of Audience Response,"  Jump Cut no. 4 (Nov.-Dec. 1974), pp. 21-23.
<http://www.ejumpcut.org/archive/
onlinessays/JC04folder/AudienceResponse.html>

"Nicholas Roeg:  Permutations Without Profundity," Jump Cut no. 3 (Sept.-Oct. 1974), pp. 13-17.
<http://www.ejumpcut.org/archive/
onlinessays/JC03folder/RoegKleinhans.html>

"Contemporary Working Class Film Heroes:  EVEL KNIEVEL and THE LAST AMERICAN HERO," Jump Cut no. 2 (July-Aug. 1974), pp. 11-14.
<http://www.ejumpcut.org/archive/
onlinessays/JC02folder/lasthero.html>

---

To Publications
To vita index