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Reportage, Introductions, Interviews, Responses, etc. with John Hess, Julia Lesage, and others, "The Last Word," editorials in Jump Cut nos. 1-47 (May 1974-winter 2005) on various topics relating to media and politics. “Film Seen Sideways” catalogue essay for Block Cinema series on “A Cinema of Physics and Perception,” April-June 2006, Block Museum, Northwestern University. “Second Nature’s Revenge” catalogue essay for the digital art show, Second Nature,” Ukrainian Museum of Modern Art, Chicago. May-June 1999. Part of the Millennium Project. “Special Section: Contradictions of Sexual Representation: Introduction,” Jump Cut no. 41, (May, 1997), p. 20. “Special Section: Studying Sexual Images: Introduction,” Jump Cut no. 40, (March, 1996), pp.103-105. with Julia Lesage, "Listening to the Heartbeat: Interview with Marlon Riggs," Jump Cut no. 36 (June, 1991), 119-126. with Julia Lesage, "The Gulf War Superbowl" [photo essay], Jump Cut no. 36 (June 1991), 3-9. reply to Vincent Mosco, The Democratic Communiqué, 9:1 (Spring 1990), 3. reply to questionaire on experimental documentary, Experimental Film Coalition Newsletter, July-Sept 88. "Hollywood Reconsidered: Introduction," Jump Cut, no. 32 (spring 1987). "Sexual Representation: Introduction," Jump Cut, no. 32 (spring 1987). "Third World Media: Introduction," Jump Cut, no. 32 (spring 1987). Reply to questionnaire on avant garde film audience. Spiral no. 9 (Oct. 1986) 9-11. with Julia Lesage, "Festival Report: New Latin American Cinema in Havana," Jump Cut, no. 31 (spring 1986), pp. 70-71. with John Hess, "Hollywood Cinema," Jump Cut no. 31 (spring 1986), p. 14. Reprint of "The Last Word," Jump Cut no. 2, 1974. with John Hess, "Doing Serious Business," interview with Freude Bartlett on independent film distribution, Jump Cut no. 31 (spring 1986), pp. 30-34. "Sexual Representation: Introduction," Jump Cut no. 30 (spring 1985). p. 23. "Alternative Cinema in the Eighties: Introduction," Jump Cut no. 28 (spring 1983), pp. 33-34. with Peter Steven and Barbara Martineau, "Interview with the Filmmakers (of A WIVES' TALE)," Jump Cut no. 26 (winter 1981-82), pp. 26-29. with John Hess, "Critical Dialogue: Artistic Freedom, Political Tasks," Jump Cut no. 21 (Nov. 1979), p. 28 (exchange of views on Cuba). with Ellen Seiter and Peter Steven, "Conference Report: Struggling for Unity," Jump Cut no. 21 (Nov. 1979), pp. 35-37. personal statement in "Conference Times Seven," Jump Cut no. 21 (Nov. 1979), p. 38. with John Hess, "Basic Readings in Radical Politics and Culture," Jump Cut no. 18 (Aug. 1978), pp. 38-39. with Robin Lakes, Julia Lesage, and Anna Marie Taylor, "Filming for the People: Kartemquin Interviewed," Jump Cut no. 17 (Apr. 1978), pp. 37-38. with Julia Lesage and B. Ruby Rich, "The Scalpel Beneath the Suture: Report on a Conference Not Attended," Jump Cut no. 17 (Apr. 1978), pp. 37-38. "Twelve Frames Per Second: Reply to William Guynn," Jump Cut no.17 (Apr. 1978), p. 36. "Gays and Film: Introduction," Jump Cut no. 16 (Nov. 1977), pp.13-14. with Tom Waugh, "A Dialogue: Gays, Straights, Film, and the Left," Jump Cut no. 16 (Nov. 1977), pp. 27-28. "Lesage Firing Protested," Jump Cut no. 15 (July 1977), p. 34. "Barbara Kopple Interview," Jump Cut no. 14 (Mar. 1977), pp. 4-6 (on her film HARLAN COUNTY, USA). "New Theory, New Questions: Introduction," Jump Cut nos. 12/13 (Dec. 1976), pp. 37-38. "Swinging on Burch's Theory," Jump Cut nos. 10/11 (June 1976), pp. 64-66. "The Signifier that Failed to Make Milwaukee Famous," Jump Cut nos. 10/11 (June 1976), p. 58. with Julia Lesage and Barbara Halpern Martineau, "New Day's Way: Julia Reichert and Jim Klein Interviewed," Jump Cut no. 9 (Oct.-Dec. 1975), pp. 21-22. "A Ventriloquist Psychoanalysis," Jump Cut no. 9 (Oct.-Dec. 1975), pp. 30-32. (Reply to "Comment," by Ben Brewster, Stephen Heath, and Colin MacCabe, Screen 16:2, summer 1975; rptd. Jump Cut no. 9.) "Julia Reichert and Jim Klein: 'Our First Priority is Reaching People,'" Jump Cut no. 5 (Jan.-Feb. 1975), pp. 11-12. (Interview and analysis of their film METHADONE.) |