"The Shoebox," notes

1.http://www.memoradicnarrative.com/doco.html
compatible with Flash Player 9+, Mozilla Firefox, and Internet Explorer. [return to page 1 of essay]

2. QuickTime® Virtual Reality

3. In multimedia a pre-loader is a small image and/or animated graphic that displays on the user’s screen while the primary media, a much larger file, downloads onto the user’s computer. [return to page 2 of essay]

4. The initials “DN & JAS McD” on the shoebox lid were written by Heather’s guardian Uncle Jock and refer to Heather’s father Donald Neil and her uncle James McDonald. Both brothers served with the AIF in WWI and both died aged in their forties in 1937, coincidently just eight weeks apart.

5. In multimedia tweening is the term used to describe the animated motion created between two static clip states.

6. In memory research this process of repetition over time is known as rehearsal (Engel 1999:8).

Beattie, D. (2008) "The Wrong Crowd": theory and practice in producing documentary online. Saarbrucken, Germany: Verlag, D.M..

Brown, A. (2006) Modes of creative engagement. Engage: Interaction, Art & Audience Experience. E. Edmonds, L. Muller, and D. Turnbull. Sydney: Creativity and Cognition Studios Press. p. 6.

Citron, M. (1999) Home Movies and Other Necessary Fictions. Minneapolis: University of Minnesota Press.

Dovey, J. (2002) Notes Towards a Hypertextual Theory of Narrative. New Screen Media: Cinema / Art / Narrative. M. Rieser and A. Zapp. London: British Film Institute: 135-145.

Edmonds, E. (2006) Reflections of the Nature of Interaction. Engage: Interaction, Art & Audience Experience. E. Edmonds, L. Muller, and D. Turnbull. Sydney: Creativity and Cognition Studios Press. pp.xxiii-xxviii.

Engel, S. (1999) Context is Everything: The Nature of Memory. New York: W.H. Freeman and Company.

Gibson, M. (2008) Object of the Dead: Mourning and Memory in Everyday Life. Melbourne University Press. pp. 47-79.

Gibson, R. (2005) Imagination and the Historical Impulse in response to a past full of disappearance, lecture for the Centre for Public Culture and Ideas, Griffith University South Bank 26 May.

Gibson, R. (2004) Dramatic Databases: Life After Wartime-Crime Scenes 1945-1960, lecture at COFA Sydney, ACM SIGGRAPH.

Hayles, K. (2005) Narrating Bits: Encounters between Humans and Intelligent Machine, Vectors, no. 1, Winter, pp. 1-38.

Kuhn, A. (1995) Family Secrets: Acts of Memory and Imagination. London, New York: Verso.

McNally, R. J. (2003) Remembering Trauma, Cambridge MA: Belknap Press of Harvard University Press.

Negroponte, N. (1995) Being Digital: The Road Map for Survival on the Information Superhighway. London: Hodder & Stoughton.

Wand, E. (2002) Interactive Storytelling: The Renaissance of Narrative. New Screen Media Cinema / Art / Narrative. M. R. A. Zapp. London, British Film Institute: 163-178.

*JUMP CUT* A REVIEW OF CONTEMPORARY MEDIA

	Notes 1.http://www.memoradicnarrative.com/doco.html compatible with Flash Player 9+, Mozilla Firefox, and Internet Explorer. [return to page 1 of essay] 2. QuickTime® Virtual Reality 3. In multimedia a pre-loader is a small image and/or animated graphic that displays on the user’s screen while the primary media, a much larger file, downloads onto the user’s computer. [return to page 2 of essay] 4. The initials “DN & JAS McD” on the shoebox lid were written by Heather’s guardian Uncle Jock and refer to Heather’s father Donald Neil and her uncle James McDonald. Both brothers served with the AIF in WWI and both died aged in their forties in 1937, coincidently just eight weeks apart. 5. In multimedia tweening is the term used to describe the animated motion created between two static clip states. 6. In memory research this process of repetition over time is known as rehearsal (Engel 1999:8). Bibliography Australia War Memorial Online Archives (2008) A.I.F. First World War Field Diaries, accessed 2006—2008. http://www.awm.gov.au/diaries/ww1/diary.asp?diary=82 Beattie, D. (2008) "The Wrong Crowd": theory and practice in producing documentary online. Saarbrucken, Germany: Verlag, D.M.. Brown, A. (2006) Modes of creative engagement. Engage: Interaction, Art & Audience Experience. E. Edmonds, L. Muller, and D. Turnbull. Sydney: Creativity and Cognition Studios Press. p. 6. Citron, M. (1999) Home Movies and Other Necessary Fictions. Minneapolis: University of Minnesota Press. Dovey, J. (2002) Notes Towards a Hypertextual Theory of Narrative. New Screen Media: Cinema / Art / Narrative. M. Rieser and A. Zapp. London: British Film Institute: 135-145. Edmonds, E. (2006) Reflections of the Nature of Interaction. Engage: Interaction, Art & Audience Experience. E. Edmonds, L. Muller, and D. Turnbull. Sydney: Creativity and Cognition Studios Press. pp.xxiii-xxviii. Engel, S. (1999) Context is Everything: The Nature of Memory. New York: W.H. Freeman and Company. Freed, M. (1997) Is human memory similar to the RAM in a PC? Accessed 30 August 2005. http://madsci.wustl.edu/posts/archives/mar97/852177186.Ns.r.html Gibson, M. (2008) Object of the Dead: Mourning and Memory in Everyday Life. Melbourne University Press. pp. 47-79. Gibson, R. (2005) Imagination and the Historical Impulse in response to a past full of disappearance, lecture for the Centre for Public Culture and Ideas, Griffith University South Bank 26 May. Gibson, R. (2004) Dramatic Databases: Life After Wartime-Crime Scenes 1945-1960, lecture at COFA Sydney, ACM SIGGRAPH. Hayles, K. (2005) Narrating Bits: Encounters between Humans and Intelligent Machine, Vectors, no. 1, Winter, pp. 1-38. Kuhn, A. (1995) Family Secrets: Acts of Memory and Imagination. London, New York: Verso. McNally, R. J. (2003) Remembering Trauma, Cambridge MA: Belknap Press of Harvard University Press. National Archives of Australia Online Resources (2008) A.I.F. Service Personnel War Records. accessed 2006—2008. http://naa12.naa.gov.au/scripts/ResearcherScreen.asp Negroponte, N. (1995) Being Digital: The Road Map for Survival on the Information Superhighway. London: Hodder & Stoughton. Pesce, M. (2004) DVD Authoring for Documentary. Lecture Sydney, AFTRS. Wand, E. (2002) Interactive Storytelling: The Renaissance of Narrative. New Screen Media Cinema / Art / Narrative. M. R. A. Zapp. London, British Film Institute: 163-178. Mediaography Australian Centre for the Moving Image (2009) Memory Grid, accessed August 2009. http://www.acmi.net.au/memorygrid.aspx Adobe. (2009) Flash software http://www.adobe.com/products/flash/ Apple. (2009) QuickTime software http://www.apple.com/quicktime/ Beattie, D. (2003) The Wrong Crowd. Online Documentary. Brisbane A.B.C. http://www.abc.net.au/wrongcrowd Citron, M. (2004) Mixed Greens. Interactive CD-ROM. California. U.S.A. State Library of Queensland (2009) Q150 digital stories. Accessed August 2009. http://keystone.collectionsaustralia.net/publisher/Outreach/?tag=anna-haebich To topPrint versionJC 52 Jump Cut home This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 2.5 License.

JUMP CUT A REVIEW OF CONTEMPORARY MEDIA

JUMP CUT
A REVIEW OF CONTEMPORARY MEDIA