JUMP CUT
A REVIEW OF CONTEMPORARY MEDIA

Notes

1. In Britain during the sixties and into the eighties black was used as a political label to include people of African, Asian, and Caribbean descent. Black, as Alice Correia signals, “encapsulated the strategic alliances and coalitions undertaken by a broad spectrum of people working in opposition to the marginalization, discrimination and racism they faced in white majority Britain” (2022, xi). [Return to page 1]

2. Some of these filmmakers’ productions were Riots and Rumors of Riot (dir. Caesar 1991) or Blood Ah Go Run (dir. Shabazz 1982).

3. The People’s Account was not televised, but it found audiences in British Youth Centers, underscoring the collective’s community-oriented approach to their struggle for solidarity against the Establishment. 

4. The Haringey council has been named the London Borough of Culture for 2027, signalling its active involvement in radical artistic expression.  [Return to page 2]

Bibliography

Alter, Nora. The Essay Film After Fact and Fiction. New York: Columbia University Press, 2018.

Althusser, Louis. “Ideology and Ideological State Apparatuses: Notes towards an Investigation.” In Lenin and Philosophy and Other Essays. Translated by Ben Brewster. London: Verso, 1984.

Bakari Caesar, Imruh, dir. Riots and Rumors of Riots. London: National Film School, 1981.

Bakari, Imruh. dir. Street Warriors. London: Ceddo, 1986.
 
–––, dir. Blue Notes and Exiled Voices. London: Ceddo, 1992.

Bhabha, Homi. The Location of Culture. London: Routledge, 1994.

–––––. “Culture of Resistance: Reflecting a True Image.” Black Film Review (1986): 14-15.

Bryan, Milton, director. The People’s Account. London: Ceddo Film and Video, 1986.

Cohen, Stanley. Folk Devils and Moral Panics: The Creation of the Mods and Rockers. London: Paladin, 1973.

Correia, Alice. “Introduction.” In What is Black Art? Edited by Alice Correia, ix-xxvii. London: Penguin Random House, 2022.

Davis, Elmina D, dir. Omega Rising: Women of Rastafari. London: Ceddo, 1988.

Diawara, Manthia. “Power and Territory: The Emergence of Black British Film Collectives.” In British Cinema and Thatcherism, edited by Lester Friedman London: UCL Press,1993.

Dickinson, Margaret. Rogue Reels: Oppositional Film in Britain 1945-1990. London: BFI, 1999.

Fanon, Frantz. The Wretched of the Earth. Translated by Constance Farrington. New York, NY: Grove Press, 1961.

Gilroy, Paul. Small Acts: Thoughts on the Politics of Black Cultures. London: Serpent’s Tail, 1993.

Gilroy, Paul. The Empire Strikes Back: Race and Racism in 70s Britain. London: Hutchinson & co, 1982.

Gilroy, Paul. There Ain’t No Black in the Union Jack. London: Routledge, 1987.

Gordon, Pauline, dir. Culture for Freedom. London: Ceddo, 1990.

Gordon, Pauline, director. Racism: a Response. London: Ceddo Film and Video, 1990.

Hall, Stuart. “Racism and Reaction.” In Five Views of Multi-Racial Britain, edited by Commission for Racial Equality. London: Commission for Racial Equality, 1978.

––––––. “The Great Moving Right Show.” Marxism Today (1979): 14-20.

Masokoane, Glenn Ujebe. “Ceddo Film and Video Workshop.” In Third Eye: Struggle for Black and Third World Cinema. London: GLC Race Equality Unit, 1983.

Masokoane, Ujebe Glenn, dir. We are the Elephant. London: Ceddo, 1987.

Mercer, Kobena. Welcome to the Jungle: New Positions in Black Cultural Studies. London: Routledge, 1994.

Phillips, Mike, and Trevor Phillips. Windrush: The Irresistible Rise of Multi-Racial Britain. London: HarperCollins Publishers, 1998.

Rothberg, Michael Multidirectional Memory: Remembering the Holocaust in the Age of Decolonization. Redwood City, CA: Sandford University, 2009.

Shabazz, Menelik and Imruh Bakari Caesar, dir. Blood Ah Go Run. London Kuumba Productions, 1982.

Shabazz, Menelik, dir. Time and Judgement: A Diary of a 400 Year Exile. London: Ceddo, 1988.

Shabazz, Menelik. “Kuumba Productions.” In Third Eye: Struggle for Black and Third World Cinema, edited by GLC Race Equality Unit. London: GLC, 1986.

Solanas, Fernando and Octavio Gettino. “Toward a Third Cinema.” Tricontinental, no. 14 (1969): 107-132.

Steve, McQueen. “Black People are weirdly missing from the narrative.” The Guardian, November 14, 2020. https://www.theguardian.com/tv-and-radio/2020/nov/15/steve-mcqueen-black-people-are-weirdly-missing-from-the-narrative-small-axe-mangrove-viola-davis-idris-elba-bernardine-evaristo

The Voice. “Row Over: TV Riot Film Week Ending.” The Voice (1987):5.

Valerie, Thomas, dir. The Flame of The Soul. London: Ceddo, 1990

Images:

All figures are screenshots taken from The People’s Account (1986) (https://vimeo.com/224218624) except for “Keep Britain Black” protest (image 5 1) which is a picture by the author taken at the International Slavery Museum (Liverpool), and Cohen’s Moral Panics graphic (image 9), which the author designed.