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Media:1/2" and Hi-8mm video, Super 8mm film, photography, graphic design, Xerox, Macintosh computer. Special interest in radical use of consumer technology. One-Person Exhibitions (** = invitational, honorarium) *August 1991. MEN AGAIN: VERSION TWO, University Film and Video Association annual meeting, Oregon State Univ. (critical screening with maker present) Group Exhibitions (*= curated) *Sept 1990. AUGUST NIGHTS in “Around the Coyote,” [arts festival] Chicago Juried Festival Dec 1987. POSTCARDS FROM NICARAGUA. Semana Internacional de Cine: Certamen Internacional de Video. Tereul (Spain). Broadcast/Cablecast August 87. POSTCARDS FROM NICARAGUA. Manhattan Cable. NYC. Videography MEN AGAIN, VERSION 2, VHS, color, NTSC, 8 min. 1990. MEN AGAIN. VHS, color, NTSC, 7 min. 1988. POSTCARDS FROM NICARAGUA/POSTALES DE NICARAGUA LIBRE, 1/2" VHS to 3/4" TBC, color, NTSC/PAL, 50 min. 1985. THE GIGANTONA SHOOT/FILMANDO LA GIGANTONA, 1/2 " VHS to 3/4" TBC, color, NTSC, 27 min. 1985. ANGEL, 1/2" VHS to 3/4" TBC, color, NTSC, 11 min. 1985. IN THE GARDEN, 1/2" VHS to 3/4" TBC, color, NTSC, 12 min. 1985. TV MAN AT THE END OF THE WORLD'S FAIR, 1/2" VHS to 3/4" TBC, color, NTSC, 12 min. 1985. Filmography IT'S NOT MADE BY GREAT MEN, 16mm version, color/sound. 3 min. Nov. 1985. MEN, MEN, MEN, S8, color/sound, 8 min. Jan. 1982. STOPPING BY THE TOLLROAD; THE NO WALKING TRIP; FUN, S8, color/silent. 12 min. August 1981. IF YOU LOOK REALLY HARD..., S8, color/silent. 20 min. June1981. EVERYBODY'S TRANCE FILM, S8, b&w/color. 10 min. Mar. 1981. IT'S NOT MADE BY GREAT MEN, S8, color/sound. 3 min. Jan.1981. FRED BARNEY TAYLOR, A PORTRAIT, S8, color/silent. 3 min. June 1980. AT HOME IN LOGAN SQUARE (with Dan Curry), S8, color/sound. 20 min. June 1980. AUGUST NIGHTS, S8, b&w/sound. 15 min. May 1980. INTERIORS, S8, b&w&color/silent. 12 min. Apr. 1980. THE JERRY LEWIS LABOR DAY TELETHON (with Liz Schillinger), S8, color/sound. 15 min. Apr. 1980. BACK PORCH, S8, b&w&color/sound. 18 min. Mar. 1980. THREE LYRIC FILMS: SAPPHO'S BLUE DREAM, BEACH, MEAT, S8, color/silent. 12 min. Jan. 1980. THE BLIZZARD OF '79, S8, b&w&color/silent. 12 min. Oct. 1979. DICTATORSHIP OF THE PROLETARIAT, S8, color/sound. 2-1/2 min. Sept. 1979. THE TEN MILLION DOLLAR BASH, S8, b&w&color/sound. 24 min. June1979. SHIRLEY AND BRUCE, S8, b&w&color/sound. 22 min. May 1979. SOMETIMES I ALMOST THINK I CAN SEE IT, S8, b&w&color/silent. 20 min. May 1979. PEDESTRIAN WAVELENGTH, S8, b&w&color/silent. 14 min. Mar.1979. BRIDGE, S8, color/silent. 8 min. July 1978. NAZI LEADER, S8, b&w&color/silent. 1 min. May 1978. Video Anthology CONTINUOUS ENTERTAINMENT, Various formats (D2, Beta SP, VHS) color, NTSC, 90 min. 1992. Anthology of short works, originally in Super 8mm film. Reviews of Work Discussion of my video camera work for Julia Lesage's HOME LIFE in Lorraine Kenny, "An Interview with Julia Lesage," Afterimage 13:3 (Oct. 1985), 6-9. Harvey Nosowitz, "A View of Chicago," Millennium Film Journal, no. 12, pp. 36-43. Discussion of THE TEN MILLION DOLLAR BASH by Judith Mayne in Helen Fehevary, Claudia Lenssen, Mayne, "Interview: Women's Film Production and Reception," New German Critique no. 24-25, Fall-Winter 1981-82. Article and interview by Adelaide Moorman on my film work and JoAnn Elam's. Viewpoint No. 5, Chicago Filmmakers Newsletter. Reprints "Small Gauge Manifesto." Spring 1980. Camerawork Video camera for Julia Lesage, location documentaries in Nicaragua, 1984, 87. HOME LIFE, PARQUE WILFREDO VALENZUELA/WILFRED'S PARK, LA ESCUELA/THE SCHOOL, LAMENTO/LAMENT, MESAJEROS/TROUBADORS. Additional camera for JoAnn Elam, EVERYDAY PEOPLE, 1980. Other Work Portraits of Filmmakers (photography). Spiral no. 9. Oct. 1986. Film/Video Performance Interviewer/critic of featured video artist Annette Barbier, Image Union program, WTTW (PBS) Chicago, Spring 1994, various broadcasts. LOOK ME OVER CLOSELY, Christopher Gaal, 1993 (video) MARX: THE VIDEO, A POLITICS OF REVOLTING BODIES, Laura Kipnis, 1990 (video, title role) STATE OF THE (VIDEO) ART: A CONVERSATIONAL MOSAIC WITH CHUCK KLEINHANS, Meg Amato, 1989. (video) LIVES OF THE ARTISTS, Fred Barney Taylor, 1982. (film/video) ARE YOU LISTENING MR. EISENSTEIN? Doug Eisenstark, 1981. (film) |
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